Through an exclusive matchmaking agency, women strive to marry a desirable bachelor and into the highest echelon of society.

Kyung-Ho is a divorced man and has peaceful days. One day, his movie director friend Hyun-Soo appears in front of him. Hyun-Soo is active in helping Kyung-Ho get remarried. The two men decide to launch Kyung-Ho's second marriage project. Kyung-Ho takes an interest in two women: Mi-Kyung and Eun-Jung.

The story of those who see and make films, and the cinema that brings them together.

The story of those who see and make films, and the cinema that brings them together.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

Three queer stories. Three queer filmmakers. Three journeys into the queer underground, to celebrate WorldPride 2023.

Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?